Bachelor of Design (B.Des)

The Bachelor of Design (B.Des) with a major in Interior Design is:

for students who want a first professional degree accredited by the Council for Interior Design Accreditation (CIDA)
120 credit hours
controlled by a selective admission processes during the spring of sophomore year
structured with sequential studios that take four years to complete (see GDC/transfer model)

What are UF Interior Design studios like?

As a discipline, Interior Design involves a broad range of intellectual and practical abilities and encompasses many sub-fields of study. One of the most important attributes of a designer is the ability to synthesize information from many diverse sources and areas of expertise. For any given project Interior Designers research information related to the project, interview project users, conceptualize design approaches, draw their design ideas, confirm their feasibility, and communicate them to an audience. In doing so, they utilize knowledge from all areas of the curriculum including environment and behavior theories, construction materials, building technology, history, visualization techniques and many others.

At the core of the design curriculum is the design studio, a community in microcosm that encourages exploration, collaboration, open discussion, and a thriving design community. It is there that students research and understand design situations, conceptualize design responses, conceive ideas to propose, develop them, and present their design proposals. After a while students start to find their own creative voice, one that gets polished over time.

So, it is in the studio that students get immersed in the design experience, together with their peers and surrounded by sketches, drawings, computers, books and the many other artifices of the discipline. The studio setting encourages dialogue, collaboration, and creative thinking. Design proposals are openly discussed among classmates, faculty, and visiting professionals. Students share ideas, learn from, contribute to each other’s progress, and enjoy having a common purpose as a unifying force.

Studios are available to students on a 24/7 basis and students spend long hours in them, working on their projects. The vibe is informal and some of their best ideas arise outside of class, through an after-hours discussion or a chance encounter.

Types of Projects We Do

Interior design students learn to solve complex design problems in many market sectors. The professional skills they acquire include technical and business-related skills that serve them well as they enter the workforce after graduation. As we prepare the future design leaders of our continually changing world we strive to equip them with lifelong professional habits and an agile disposition to tackle new challenges now and in the years ahead.

Hospitality

Seniors are challenged with developing a place-sensitive guest experience and appropriate business strategy that supports the needs of identified guest types as well as operations within their multi-level building sites.

Hospitality thumbnail - Anna Zamolodskaya 2022

Healthcare

Seniors take a deep-dive in exploring the nuances of healthcare design through collaborative team projects and external feedback from architectural design firms like Gresham. Recent projects have explored the design of ERs, oncology, and orthopedic units.

Retail

In the spring of their junior year, students tackle the retail market sector with assigned brands, and are challenged to push the boundaries of the shopping experience. What should the retail of tomorrow look like?

Workplace design thumbnail - Isabella Zumpano 2024

Workplace

Junior students explore the multi-faceted nature of workplace environments with consideration to complex programmatic needs, departmental relationships, and developing solutions that consider a variety of human factors.

Higher Education

The UF campus becomes a learning lab where students use local sites to re-imagine spaces within higher education. What should the classroom of tomorrow look like? How do we support learning and collaboration beyond the classroom and across in-between spaces?

Restaurant Design - Murry-Quinn-Zumpano

Restaurant

Students take on the role of “Experience Architects” to design the ‘special sauce’ that turns a restaurant into a destination restaurant. These designs consider how the built environment can go beyond to support social and active engagement.

What Does ‘Learning’ Design Look Like?

We believe in a problem-based, iterative, learning-by-doing model in which students produce creative design solutions for specific design problems assigned to them. As part of this self-directed type of learning, students are expected to wrestle with the assigned design challenge and find proper solutions. Guided by faculty, students are expected to focus their thinking and engage in a design process that will lead to potential solutions. There is the expectation that students will come to class prepared to share their work and that they will also contribute to the overall discourse.

Learning design requires on-going critical examination and evaluation of the work and, to that end, our faculty provide supportive, candid and constructive feedback regularly. Desk crits and pin-ups are generally the most common forms of giving feedback and consist of informal and personal interactions between students and faculty.

Essentially, desk crits are individual sessions involving a one-on-one exchange between student and instructor. They occur at a student’s desk and entail dialogues about the various aspects of the project. The studio instructor may often suggest ideas and approaches they feel will improve particular aspects of the project. Students are generally expected to explore these suggestions by revisiting their design. This iterative process of revisiting and revising alternative solutions is generally considered to be fundamental to the design process.

Informal pin-ups also occur in the studio. Work in-progress is pinned up to a wall surface and discussed openly. This may be done individually but often involves a group of students, and, sometimes, outside critics. Public project reviews are more formal and usually include outside critics. Mid-term and final reviews are intended to create benchmarks for the completion of work, and more importantly, to offer each student feedback that is critical to their development as designers. In addition to serving as a means to assess the progress of individual students, the broader conversations that take place in these reviews are an enriching and integral component of the overall learning process.

Work done in studio is cumulative, and not just focused on the final outcome. Our students understand that continuous and sustained work is necessary for the development of conceptual and technical skills. Preliminary studies produced for intermediate pin ups and weekly desk crits are a crucial part of the total experience and necessary for a successful project outcome.

Meet Our Gators

Smita Sahoo

Smita Sahoo, the creator of āśaya | DESIGN, crafts residential, commercial, hospitality and experiential spaces that encourage people to “unleash their authentic selves, find a sense of purpose and form a deeper connection and appreciation for the natural environment,” according to her website www.asayadesign.com.

Smita is an exceptionally creative voice in the design profession by using her diverse background in architecture, interior design and environmental psychology. Smita’s goal is to strengthen our emotional connection to the places we live, work and interact so she decided to launch her own practice in July. A practice, her website states, “that embraces a true independence of mindset, breaking the old ways of doing business and being ethical with our code of conduct.” The word āśaya in Sanskrit translates to “the cradle of feelings and thoughts.”

Cindy Chen

Cindy Chen

DCP alumnus Cindy Chen completed her research investigating the design of successful pop-up stores, a significant sector in the evolving retail market.

Chen was one of seven students selected for DCP’s Undergraduate Scholars Program and worked alongside Genesis Okken, a lecturer within DCP’s Department of Interior Design, to uncover the success of experiential design elements in six pop-up stores across New York City in December 2019.

Michelle Castagna

Michelle Castagna

Michelle Castagna is a 1997 University of Florida College of Design, Construction and Planning graduate who majored in interior design. Currently, Castagna is the president and owner of the Muse Design Studio based out of South Florida. In addition, she is also president of the Florida Chapter of the International Furnishings and Design Association.

Castagna began her journey with a high-end interior design firm, which ultimately led her to co-owning a design studio. In an effort to truly enjoy designing as opposed to managing a team, the Gator decided a few years ago to sell her ownership stake and start Muse on her own.

Katelyn Burdett

Katelyn Burdett

Katelyn Burdett is a rising senior interior design student who is currently interning at HuntonBrady Architects in Orlando. She is the president of the University of Florida’s American Society of Interior Designers and International Interior Design Association student chapters and has also served as the student representative for the ASID Florida North chapter this past year. In addition to these professional organizations, she is very involved with Reformed University Fellowship at UF. 

While HuntonBrady is an architecture firm, they do have an interior design team that is split into two sections: healthcare and commercial interiors. For the first half of the summer, Burdett worked with the commercial team. She will soon switch over to the healthcare team to continue her internship.

Rachel Stanakis

Rachel Stanakis

Rachel Stanakis is a fourth-year interior design student who just recently finished interning at HuntonBrady Architects in Orlando. For the past three years, she has served on the Board for the University of Florida’s American Society of Interior Design Association. Stanakis also volunteers her time on the leadership team for UF Young Life, which aims to create community among students on the Gainesville campus.

The Maitland, Fla., native lept at the chance to step out of her comfort zone during the pandemic and intern at HuntonBrady. Meetings in a room have turned into meetings on Zoom. While many full-time employees are choosing to work from home, Stanakis has appreciated how much she has learned from the interiors team due to her focused time with them.

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